The daily life of Mihajlo, a factory worker in a neglected industrial town. Testimonies about his life are given by the people around him. At times, these people are seen as part of Mihajlo’s daily routine, but after the character leaves the stage, their voices remain as the narrator. What they don’t know is that Mihajlo obsessively steals tools from the factory and suffers from lost love. And they can’t anticipate what is going to happen one morning.

Adel, a desperate jobless father, gets out on the streets of Beirut hoping for a change.

In a single humiliating day, Silvia is fired from her job despite being a few years away from retirement, a policeman fines her during a traffic check, and the director of the church choir takes away her solo part. During the Ave Maria rehearsal, Silvia decides to endure in an act of silent resistance.

It’s Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. (Synnøve and Michelle are mother and daughter in real life and play versions of themselves in a story that is very close to their own lives.)