"disjointed" centres around the experience of two men working in the food industrial complex. The film deals with a patriarchal paradigm in crisis and offers a space to relive and heal from trauma, where work movements become a way of embodying what remains inaccessible through words and descriptions. disjointed challenges ideas about the organic and traditional nature of our food, highlighting the artificiality of a reality rarely seen unmediated.

In the village of Rahau, Romania, villagers are confronted with the return of Nicolae Ceaușescu in the form of a hologram.

At the intersection of art and science, L’année du robot (Year of the robot) depicts the human being and the robot as its artificial counterpart. As a series of archival documents detailing the first contacts and dialogue between a robot gifted with an artificially created autonomy and human beings, it studies cognitive dissonance, a minute, mysterious relational space sitting between the two actors. It involves elderly people sometimes afflicted with Alzheimer's or dementia, or young adults with autism or neurological problems. Once past the surprise phase and aware of the artificial nature of the robot's functioning, the residents try, despite everything, to forge bonds with it.