Against the backdrop of societal collapse, two powerful voices engage in a high-stakes debate over the future of humanity. Should mankind be placed under total control to safeguard its survival, or should they be granted the freedom to shape their own destiny, even if it means risking self-destruction?

"Nocturnal Dream Disposal" is the first part of "Vernacular Dreamscapes" a multi-part audiovisual project with texts by Marc Richter, music by Black To Comm, visuals by Neue Deutsche Kunst (all the same person actually) and the voices of five artists of which Inger Wold Lund and Felicia Chen (Dis Fig) can be heard as short voiceovers in this film. The overall theme of "Vernacular Dreamscapes" is nature as a zone of the unknown and uncanny, an alien and alienated territory, a deserted zone. This is counteracted by the appearance of dreamlike and absurd phenomena and inscrutable cavernous architecture. A stringent plot is never revealed, reality remains vague. The zone is inhabited by places, dreams, voices and supernatural creatures and artifacts; drug-induced experiences are creating a psychedelic time-stretching experience. We’re reminded of so-called "Involuntary Parks“, forbidden areas made uninhabitable by human-made disasters.
A primitive AI creates a world where Dhalgren meets The NeverEnding Story in Stalker/Ballard territory. ac

Your Dream is my Dream is a video about ancestral memory, shared identity and the collective unconscious.
According to C. G. Jung we are all born with common patterns and ancestral memories, that he calls archetypes, that are the exact same ones throughout lands and cultures. These memories and the collective unconscious manifest itself mainly through art and dreams, particularly reoccurring dreams, that with minimal variations are indeed the same for all of us.
We are all connected and somehow we all dream the same dreams.
The chorus of reoccurring dreams in Your Dream is My Dream can be traced back to four main categories - impossibility, unpreparedness, self-consciousness and loss.
Following a specific and different logic for each category, subtitles give additional body to the voices, both in Italian and in English.

The film is a contemplation of life through the prism of war. It is a premonition of global world changes... and a hope for the prudence of humanity.
Human beings live in a world of memories, fears and passions, dreams and hopes. In our memories, we increasingly want to return to the world of childhood - summer, where joy and light reign, as opposed to cruel reality, loneliness and existentialism. But it is becoming more and more difficult to get into this world, to dissolve at least mentally in the sun's glare. This film is about man in nature and nature in man, about cyclicality, the beginning and the end - the path to eternity. Autumn is heading towards winter, and we are so eager for light.

IIt's about. Of a man, of a panic, of a fury. Of a war. A fright. But it may be something else.

A sound and image response to these times, death and life. Life is a mixed bag, and we grab it because it’s our only bag. It’s plush with knives and we pick it up, and find in it sweets and nuts, and blood. Ruin has its joys, and triumph its sorrows. "You don't make the movie. The movie makes you."
- Jean-Luc Godard

TRANSIT is a 16mm film poem with a soundtrack by Martin Bergande, a visual journey across the borders of the EU to the edges of Europe with the aid of tangential force and the means of transport car, train, ship and aeroplane across the borders of the EU to the edges of Europe.