In a small village scattered among the Italian hills, a group of bratty kids are enchanted by an ancient curse carried by the wind. They torment an old musicianì, breaking the balance in the town. Only the youngest child, curious and introverted, he is fascinated by the resonance of traditional music.

A young guardian realises he cannot fill the psychological gaps of Raphael, a teenager scarred by a wounded adolescence. Caring gives way to frustration and turns, during their last evening together, into an act of psychological violence in which the teenager is forced to reclaim a freedom that will not be such, and to face the consequences of maturity.

Inspired by a true story. Anna is a singer who, after a professional disappointment, was convinced by her boyfriend Pietro to take a break and move with him to a house in the countryside and now she works in a riding school. Her life revolves around Pietro, a jealous and manipulative man, with whom she maintains a passionate and destructive relationship.

DOCILE BODIES tells about the utopian journey of the Carthaginian commander Hannibal Barca who in the winter of 218 BC crossed the Alps at the head of an army of 90,000 infantry, 12,000 cavalry and 37 elephants. The goal is to turn the fate of the known world, defeating Rome the "Great Power" in the most memorable of wars.
World domination is the object of contention. The story is act by the prisoners /actors of the theater company of the Torre del Gallo prison in Pavia. They work on the staging of "Hannibal" in a year's workshop conducted by the theater therapist Stefania Grossi. An original theatrical work based on the stories of Polibio, in which the utopia of Hannibal's journey, told by the defeated and the guilty, challenges us. It awakens us from the torpor of the certainties of the righteous and the victors. As the company's work takes shape, the camera, exposing itself to the landscape, is looking for traces that become signs, as a relationship and echoes of a story that, recited aloud, has already overcome the barriers.