A hill in Kyrgyzstan inhabited by men, women, some children. Smoke, birds, a waste dump like a Leviathan. Among them, a traumatized former soldier, a grieving mother, young people deprived of a future, living and facing their destiny.

Heng lives with his close knit deeply Buddhist family in rural Cambodia, who work hard struggling as farmers. At 6, he lost both his arms in a landmine explosion. Now, as a teenager hanging with the wrong crowd, and no future at the farm, his mother sends him to his older brother, Chana, who makes romantic music videos in the bustling city of Phnom Penh. Here, with a bossy brother, amid a So-Me, “wanna-be” culture, Heng must make it. A film about a family who are living the consequences of war which ended decades ago.

"Landshaft" sketches the psychogeography of a geopolitically charged landscape and its inhabitants between extractivism, war and displacement. In the form of a journey in eastern Armenia, the film follows human and non-human actors as they make their way through the landscape, from Lake Sevan to the Sotk gold mine, occupied by Azerbaijan since the Karabakh War in 2020.

At the gates of the Negev desert, a group of young Palestinians fight against the Israeli military occupation. "Youth of Sumud” - the youth of steadfast perseverance - try to return to their people the land that was taken from their families, restructuring the ancient cave village of Sarura.
They face aggression with nonviolent action, defending themselves from rifles with their video cameras; they oppose desolation and death with hope and life. Ten years after their first documentary on the nonviolent struggle in the West Bank, the directors return to the village of At-Tuwani and, using archival material more than 15 years old, tell how the children have grown up.They face aggression with nonviolent action, defending themselves from rifles with their video cameras; they oppose desolation and death with hope and life.
Today the caves of Sarura have been restored by a group of young Palestinians, gathered in a collective called “Youth of Sumud” (resistance): they are the sons and daughters of nonviolent militants of the popular resistance committee of the adjacent village of At- Tuwani, who for more than 20 years have managed to resist evacuation attempts of their land thanks to nonviolent actions and the solidarity of Israeli and international peace activists.
The boys and girls of YOS are trying to bring back life in the village of Sarura, planting olive trees, escorting the shepherds of the area with their cameras and helping other villages threatened with eviction orders by the Israeli government with their presence. A fragile but powerful struggle, capable of undermining the expansion plans of the government of Israel that would like to remove all the shepherds of the area.
With “Tomorrow’s Land” (2010) we talked about At-Tuwani’s experience of resistance, today with “Sarura” we want to imagine the future that will come together with the new generation

INCIDENT reconstructs a Chicago police shooting from 2018, reassembling the event and its immediate aftermath from a variety of viewpoints, including surveillance, security, dashboard, and body-worn cameras as a continuous, synchronized split-screen montage.

15 years of artistic discipleship between me and radical filmmaker Romano Scavolini recollected through a series of audio fragments recorded by Romano in which he discusses his uncompromising conception of cinematic art. An operation of semantic archaeology, resignifying a continuous flux of ideas, thoughts, sequences from his films and beyond.