The Animal that therefore I am |
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Bea de Visser |
Netherlands / 2019 / 0:10:37 |
“What does the animal see when it looks at me?” Three animals and a woman in an enclosed space. As they study each other, their own methods of communication create a wordless conversation. We view them in close-up and from various perspectives, with the woman as a solitary species in this universe.
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![](../Images/Stills/De Visser, Bea - Animal.png)
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Field of Infinity |
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Guli Silberstein |
Great Britain / 2018 / 0:05:22 |
Inspired by both Italian Renaissance paintings and contemporary news broadcasts from Gaza protests at the border with Israel - the work processes human gestures and figures in landscape into a dark and colourful scramble. The work aims to open up an array of reflections, including concerns about the political image, image of the political, the politics of the image, and the image of image.
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![](../Images/Stills/Silberstein, Guli -Field of Infinity.png)
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Breath |
Dah |
Ermin Bravo |
Bosnia-Herzegovina / 2018 / 00:13:30 |
Igor works at the rehabilitation centre where Edita is treated. A random encounter will unfold in an unusual relationship. Without any word, two creatures will recognize and change each other. What happens when you share the last moments of your life with a stranger?
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![](../Images/Stills/Bravo, Ermin - Breath.png)
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Realms |
Valtakunnat |
Patrik Söderlund |
Finland / 2019 / 0:20:28 |
A voyage through time, evolution and the kingdoms of life towards the natural destruction wrought upon the planet by the human species. Exploring geological epochs and kingdoms of life, Realms voyages through deep time from the primeval ocean to a post-human future. The film employs visual storytelling, seeking to replace the anthropocentric worldview with greater attention to the complex interrelationships and dependencies between organisms, and between animate and inanimate nature.
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![](../Images/Stills/Soderlund, Patrick - Realms.png)
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Crysalis |
Crisálida |
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Argentina / 2018 / 00:09:00 |
The portrait of a young girl in the phase before becoming a woman.
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![](../Images/Stills/Escobar, Luz - Crysalis.png) |
Little Boy |
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Kristian Pedersen |
Norway / 2018 / 0:05:00 |
On August 6, 1945, the sun rose twice over Hiroshima. One was the dawn of a new day. The second was the nuclear bomb code-named ”Little Boy”.l
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![](../Images/Stills/Pedersen, Kristian - Little Boy.png) |
Ambience |
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Wisam Al Jafari |
Palestine / 2019 / 0:15:30 |
Two young Palestinians try to record a demo for a Music Competition inside a noisy crowded refugee camp, while failing recording because of the chaos of the place, they discover an authentic way allow them to meet the deadline creativel
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![](../Images/Stills/Al Jafari, Wisam - Ambience.png) |
The Flying Fish |
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Murat Saygıner |
Turkey / 2019 / 0:21:22 |
Two young Palestinians try to record a demo for a Music Competition inside a noisy The journey of a flying fish marks the beginning of the transition to a new era.ly. |
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![](../Images/Stills/Sayginer, Murat - The Flying Fish.png) |
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